AND THIS IS HOW IT IS

Last night I posted a picture to Instagram and Facebook with the hashtag #welovenighthikes. It’s true—we do love night hikes—but the hashtag could easily have been #welovewhatevergetsusthroughit.

Wondering what’s fair play in social media is a valid question and a worthwhile conversation. We criticize those with piles of unfolded laundry as the backdrop as much as those with nary an item out of place. We criticize those who whine about how hard life is on them as much as those who gloat about being #blessed and #grateful. Sometimes we are those people and sometimes we hate those people.

I have a diverse group of friends and posts in my feed run the gamut from “Look at us going from skiing to surfing in one day!” to “Can someone bring me a bottle of wine and a sandwich?”

Finding the balance on social media is a slippery slope. I’m not sure I understand why we care, but I know that we do. I’d estimate that over 50% of my Facebook feed is news and information, which I love because I mostly get what I signed up for, but it’s overwhelming and I don’t have time to actually read it all. I read very few articles in full, and the rest I skim for the gist before saving the link for the ubiquitous “later” and, well, you probably know the rest of that story.

Like many of us, I show up mostly for the pictures both to post and to peruse.

After I posted the night-hike picture I wondered if it was fair as a stand-alone photo. It was and it wasn’t. A photo is not a film, and a single shot is not a documentary; that’s the thing about any kind of expressive art: it allows for interpretation. And while deriving personal meaning is the beauty in art, it can also be the downside. We’re all free agents here.

Some people (maybe the ones asking for wine and sandwich delivery) look at social media photos (maybe of the people in the members-only lounge at the airport en route to or from a beach or a mountaintop) and they only see the smiles and the wide-open eyes and not the delays or the diarrhea or the fits.

And this is how it is.

I have to say that last night’s hike was crucial to my mental health. I’d had a headache all day. I’d gone to the gym, ran a few errands, walked Lucky in the park, and gutted the crap out of my closet. Nothing had helped the headache, and the headache got in the way of my writing, and then I was just grouchy because I wasn’t using the day the way I’d wanted to. I’d failed to meet my expectation of myself and it was nearly crippling.

I’d also slipped on the ice as I was getting into my car outside the post office and saved myself from hitting the ground (thanks, Pilates) in a way that has my deep abdominal muscles feeling shredded today. Because I’m no stranger to adding insult to injury, I came home and spent some time pulling half-frozen dog poo out of the melting snow. I cleaned out the fridge and the pantry and the linen closet. I cursed myself for saving this or that. I wanted to go for a hike in the sun, but there wasn’t any. It was starting to get dark and I knew there was one last-ditch option for saving the day. I needed that hike.

The truthier, extended version is that I shed some tears on that hill last night. I ran into a guy with his dog, a dog who attacked Lucky and sent him rolling backwards on his bony, old-man spine a couple of months ago. I confronted him about the attack, and although I’m a proponent of dogs running the hills unleashed, when he described his dog as a rescue who is “unpredictable” it boiled my blood. He told me he was sorry, and I’d say the exchange was overall positive, but my takeaway from the encounter was a reminder of was how damn fragile life is and, well, unpredictable.

With that man and his dog heading back down to town, Lucky and I had the whole mountain to ourselves. I kept him on his leash because I couldn’t bear the thought of losing him in the dark and I blasted some of my favorite songs and sang my heart out for no one to hear. I ran, I cried, I lost my breath, and I dropped to my knees. And I felt a lot better. Toward the end I let Lucky off his leash, confident he’d stay with me in the bluish light of dusk, and I took a picture of him because sometimes it’s hard to see where we are when we’re in the thick of it. I needed to shift my perspective.

I saw where the city lights roll right up to the mountain and the companion I’ve had for a long time. I saw a truth that I always end up seeing, that life can be both heartbreaking and beautiful at the same time.night hike

I returned to the cleaning when I got home. I skipped dusting and vacuuming in favor of culling toiletries and tea. I cleaned out as if moving, which I appreciate both in theory and in practice. In my last blog post I wrote about how content I am to be here—and that’s the absolute truth—but then there are those days where I want to be anywhere but here.

Here is relative. During the years I was near constant motion I felt an exhausting weight whenever anyone asked “where do you live?” If my car was near I could point, because it was obvious with a glance that there was a lot of living going on in there, but sometimes I had no props and was reduced to using my words. Sometimes I’d give a long-winded response of explanation and excuse, but then I discovered a better answer. “Right here,” I’d say, pointing to myself, “I live here in this body.”

Because “wherever you go there you are” is true whether running away, moving toward, or sitting still.

My heart has this edgy feeling right now as if poised to spring into action. I might not have one foot out the door, but I’m light on my toes like a boxer or tennis player. I’ve moved so much and gotten rid of entire households several times over, and although I’ve felt tinges of regret over handing over some items I can say without hesitation that I haven’t actually missed any of them.

I hadn’t felt compelled to read The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing, but I visited a friend last weekend and found myself thumbing through the book. I knew the theory, but hadn’t put it into practice until yesterday when I asked myself over and over if various items “sparked joy.” If it wasn’t a quick yes then it was a no and into the giveaway bag it went. It’s a process, though, and there are a few items remaining on my hit list because I have to do some deep digging to figure out if I still need them in my space and if they spark joy or, it’s opposite: regret.

I never got around to the vacuuming or dusting, but my house felt “clean” in a deeper way than if I’d wiped surfaces and stuffed unfinished projects into drawers and closets. By the time I went to bed my headache was gone and I got the sleep of all sleeps. I could’ve gotten up earlier than I did for writing, but made an adult decision not to beat myself up over that one. Luckily there’s also a book called The Life-Changing Magic of Not Giving a F*ck  so in the spirit of balance and riding that slippery slope like a wave…

 

 

 

 

 

 

 

“Sing your song. Dance your dance. Tell your tale.”

Last week a video went around of Ash Beckham’s TEDx talk about how she responds to kids who want to know if she’s a boy or if she’s a girl. She explains that it’s confusing because her hair is short and she wears boys’ clothes, but that she is, in fact, a girl. She breaks it down: “You know how sometimes you like to wear a pink dress and sometimes you like to wear your comfy jammies? I’m more of a comfy jammies kind of girl….”

If you missed that video, here it is: Coming Out of Your Closet.

Ash’s talk wasn’t about gender, pink dresses, or jammies. It wasn’t even about homophobia or about coming out of “the” closet. It’s about the fact that we all have closets, but “We are bigger than our closets and a closet is no place for a person to truly live.”

She says that a closet is really just a hard conversation, and that we can’t compare our “hard” with anyone else’s. “Hard is not relative. Hard is hard.” In my case right now, hard is taking care of my grandmother who suffers from both hoarding and dementia, and for some people hard is the fact that I’m talking about it.

My honesty’s been met with minimal resistance, though I know that vulnerability and honesty make some people uncomfortable. But I also know this: other people’s discomfort has nothing to do with me. I’ve done a lot of work learning how to accept and own my truth, and though it was hard I’m coasting down the other side of a life spent minimizing my truth for the sake of other people’s happiness, which is basically an Acela train to frustration and unhappiness. That way of living does nothing to foster authentic connection between people.

Over the years I’ve also learned a few things about truth in writing, with my favorite being that “The more intimate and personal the detail, the more universal the story becomes.” {That’s me quoting myself. I wrote that when I was just starting to become a braver writer, and the blog post it came from is here: WE TELL OURSELVES STORIES.

Laura Munson (a writing mentor and role model of mine) is a courageous writer who wrote a book about her marriage falling apart and her reaction to it. Before she had a book she published an essay in the New York Times’ Modern Love column, and you can read that here: “Those Aren’t Fighting Words, Dear.”

Laura told me (as she will anyone who asks her) that a person can write about anything if she writes with compassion. It’s true. I wrote with compassion about my experiences taking care of and cleaning up after my grandmother, and I was rewarded with an overwhelmingly positive response. People wrote to me and said, “Me too.” They wrote and asked, “Why didn’t you ask for help?” “When can I come?” and “How can I help?” I didn’t have any good answers except that asking for help is scary, it makes us vulnerable, and we worry about meeting resistance.

Friends wrote and called to make sure I’m okay, to offer respite, and to commend me for both my willingness to do this hard work and my grit in talking about it. Some readers forwarded my post to friends and family who work with the elderly as nurses and therapists, and then those people reached out and offered their support. Some of these people were strangers until suddenly they weren’t, and I wept with gratitude for those hands and hearts extended in my direction. It was intense, but it felt good to allow people in to my world. I was validated and shored up by people who might not even know me if they passed me on the street.

Other folks were less thrilled. Some asked my mother if she’s mad at me for flinging open our closet doors, but she wasn’t. My mother is the person most worried about the contents of my memoir-in-progress, yet when she’s been questioned about my two recent blog posts she did something incredible: she defended me. My mother acknowledged that she’d be the first person to call me out if I’d written anything that wasn’t true, but that I’d written only the truth and that she was proud. If you know my mother you know that she adores me but doesn’t let me get away with much.

There’s a built in liability befriending a writer (in particular a nonfiction writer), but for some people there’s an overlap that is not a choice, and that’s with family. A family member called my mother to express his anger over my sharing of our family’s stories. He couldn’t believe that my mother wasn’t mad and was even more dumbfounded that she wasn’t trying to stop me. Some of the stories I told are old ones but I told them not as a rant, but as reference points to my present situation. My present situation caring for my grandmother and the ensuing story does not happen to be this angry person’s story. As far as I can see his hand has not stretched out in my direction.

I listened patiently as my mother recounted the hard conversation she had where I was pummeled for telling the truth, a truth that is also hers. She’s glad I’m telling the story because she knows how lonely it can be inside a closet, but for my mother there was an additional element to the hard conversation and her hackles went up: someone was attacking her baby.

I’ve hit the pause button on my life to help my family of three, and although I wouldn’t have it any other way it’s not without sacrifice. Unfortunately the angry family member failed to recognize either my benevolence or my hard work. He made my grandmother’s story about him and criticized my content for one reason: my truth made him uncomfortable.

My mother brought up as an analogy Frank McCourt’s Angela’s Ashes, a Pulitzer Prize winning tragicomic memoir (um…thanks, mom….) that is basically required reading for Irish-American New Yorkers. Of course he’d read it, but didn’t see the connection, and said to my mother, “That’s different; that book is about his family.” My mother said, “Yes. And?….”

He responded, “The difference is that Jaime is writing about my family.”

Oh. My. God.

“It’s her family too,” my mother said, because after that what else is there?

In Angela’s Ashes McCourt wrote, “Sing your song. Dance your dance. Tell your tale.” Certainly there were plenty of people who opposed his truth telling, but it didn’t stop the book from being crazy successful and widely received by those who also believe that closets are no place to live. McCourt had fairly late in life success, but taught writing and gave his students the best advice: that they are their own best material.

Our stories do not exist alone, and they intersect with the stories of the people whose lives coexist with ours either as a result of biology or through choice. In my recent “brave post” I mention my mother minimally (it’s really a story about my grandmother) and the only thing that could be considered a slight toward my mother is when I mention that I summon the courage she lacks. But what I said is true and she knows it. Any shame she might have for not being strong enough to do this on her own pales in comparison to her gratitude for my strength to put into motion a plan where there previously existed only a downward spiral. My mother has never been in denial about my grandmother’s illnesses, she just wasn’t able to step back and see the way through (and eventually out of) it.

Even if my mother denied my truth, would that make my observations of my experience off limits? (If you say yes you can private message me and so we can talk about it. Or we can talk about it here. Your call.) It’s just like what Ash Beckham says about hard: we can’t compare our hard to someone else’s hard just as we can’t compare our truth to someone else’s. It just depends on which side of the fence you’re on, and I happen to be on the dirty side.

I like the dirty side of the fence just as much as I abhor living in a closet. I know that mental illness can be an uphill battle, and I also know that not talking about mental illness doesn’t make it go away. I’ve done some research in books and in real life (too much, probably), and I’m 100% certain that not talking about it makes it worse. Silence can be deadly. If you don’t believe me ask anyone who’s lost someone to suicide, depression, addiction, or a combination. Ask someone if silence helped when they worried about whether a loved one was going to use or while they waited for someone to show up alive after they’d disappeared. In silence.

After my blog post last week a few people shared an article with me that was published in Slate. The title is “Nobody Brings Dinner When Your Daughter is an Addict.” It’s amazing. Please read it.

Sure it’s hard for people to ask how it’s going with my grandmother, but the brave ones do, and many tell me about their struggles. One friend wrote about her fear of talking about her family’s mental illness and thanked me for my honesty. She said, “I hope someone is bringing you dinner,” which is just as good as someone actually doing it and the perfect antidote to the stones being thrown by people who aren’t offering anything but fear dressed in a thin veil of judgment.

I’m not wavering on my position to tell the truth nor have I even considered backpedaling out of it. Here’s why: for all the people who aren’t hearing what I have to say there’s a hundred who are, and that number has the potential to grow exponentially as one says to another, “Read this; It might help.”

I’m not delusional in thinking the sharing of my story can change the world, but I know that real change happens one person at a time and that I’ve helped more than a few. One said that enabling is a “lonely place to live,” and another told me about her experience with family mental illness and “trying to minimizing the consequences of her behavior and picking up the pieces of her actions.”

What we’re saying to each other is “We’re in this together; I’ve got your back,” and this more than counterbalances the haters. Dr. Brené Brown says, “Don’t try to win over the haters; you are not a jackass whisperer.”

Brené Brown’s been on my hotlist for a couple of years, and in her now famous TED talk on shame she said this:

If we’re going to find our way back to each other, we have to understand and know empathy, because empathy’s the antidote to shame. If you put shame in a Petri dish it needs three things to grow exponentially: secrecy, silence and judgment. If you put the same amount of shame in a Petri dish and douse it with empathy, it can’t survive. The two most powerful words when we’re in struggle: me too.

She also said,

“If we can share our story with someone who responds with empathy and understanding, shame can’t survive….“Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.”

If that’s not gorgeous i don’t know what is.

Closet’s are not as safe as people think. Sounds, words and thoughts can creep in there, and those dark places aren’t as hermetically sealed from the light as the closet-dwellers believe them to be. I don’t know what makes people think closets are safe. It could be shame, guilt or some other emotion masquerading as anger.

Denial is the first stage of grief, and it’s followed by anger. We circle through denial, anger, bargaining and depression until we eventually reach the blissful place of acceptance. Sometimes a person gets to acceptance then takes another lap through the list because life isn’t always (or ever) as easy as having a checklist. The path to acceptance isn’t always (or ever) linear.

Truth challenges. It stretches. It pushes limits of comfort and safety. I know that some family members aren’t angry, but are instead sad about what I’ve written about my grandmother. It is sad, but sadness can’t erase reality. You know what helps? Yeah: empathy.

My mother and I are in this together and we’re in deep. The best part—because I’m a silver-lining kind of girl—is that my mother and I are cooperating and working together in a way we never have before. We’re living under one roof and barely fighting because we have something bigger to deal with than the pettier stuff that’s ruled us for too long. The woman who’s been most afraid of my truth is actually embracing it, and that’s a beautiful thing in the midst of a messy situation. But here’s the thing: I wish it wasn’t necessary for my mother to defend me.

There’s a very good chance that the (closet-living) people who need to be reading this aren’t. Maybe they’ve written me off, maybe they don’t care, or maybe my presence hasn’t even reached their closets’ radar. I have no control over that, just as they have no control over what I write. I also have no control over any debriefings my mother might receive over my actions, but if anyone has a problem with me it would behoove them to talk to me about it directly otherwise it just might get my Irish up.

The “angry relative” interrogated my mother, and asked her if I’d interviewed my grandmother and then wrote about what she’d told me in confidence. It was nothing like that. My grandmother and I have conversations like we’ve always had, and like a lot of the best conversations they happen spontaneously. My grandmother’s concept of time and reality is altered now, but occasionally she’s able to really be in the present and I cherish those moments.

Maybe it was sitting in a kitchen where generations of our family’s women have prepped and cooked meals. Maybe the cup of tea steaming in front of her triggered something. Maybe the act of peeling of an orange sparked a memory. It’s impossible to know what triggers my grandmother’s reminiscing at this point, though I know that when she’s ready to talk I’m ready to listen.

We value our time together, and when it’s just the two of us she opens up more than in a group because in a group she tends to space out. It could be because she can’t hear everything or because she can’t keep up with the pace. When it’s just the two of us in a quiet room talking directly to each other our hearts engage with each other’s more specifically.

Our conversations and sharing make her happy, and the other night after our good, honest talk she made up a little song and sang it to me, “I’m so happy I could dance all night.” We danced a little then I helped her into some cozy pajamas, because it’s life’s simple acts that are the most challenging to her these days. I poured her a glass of milk, got her into her recliner with a blanket and turned on the television. My Mimi is definitely a comfy jammies kind of girl.

Stan, a Stinker

Eric Adema, my good friend from Kent, turned forty yesterday, and he asked this on his Facebook page:

“What I’d like more than anything else today is for everyone I know to go out and practice 1 random act of kindness on a total stranger. Most people I know do this anyway, but today make it an extra good one.”

How lovely, right? I think we should all do this on our fortieth birthdays. If we did—WOW!—the world would surely be a better place.

It was on my mind all day, but the thing about a random act of kindness is that it has to be spontaneous and, well, random. My friend Rich and I went out to lunch then ran errands around town. We stopped at Wired, the gorgeous, exotic coffee shop, and I thought about buying coffee and snacks for the high school boys who asked me outside, “Do we look seventeen?” But I was sitting outside enjoying my tea.

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Rich and I were on our way out the door, when he stopped to say, “Good Afternoon, sir” to a man eating soup by the door. “Sir?” he said, “I’m no sir. I’m not an Officer or a Lieutenant?” I walked outside and left those two to work it out.

I sat there in the sun, drinking my tea, listening to as much as their conversation as I could hear, which was punctuated with boisterous laughs from both sides. I’m deep into the book I’m writing now, but always thinking of new books. One popped into mind, “Rich and Jaime Travel Around and Talk to Everyone.”

It’s true; we do. Now, I wrote about Levi and Amanda last week and labeled then my newest old friends because although we just met, we connected quickly and I hope to know them forever. Rich and I are actually old friends—we went to school together starting in Kindergarten—but for many years we lost touch until this winter in Taos, so he’s my oldest new friend. And everywhere we go, we talk. We connect to each other and to strangers through talking and sharing stories. It’s awesome.

NOTE: I love my friends. Every single one of you who brings so much joy to my life whether you’re near or far. I mean it. So much.

Rich and Stan came out to join me in the sun. This is where Stan and I officially met, and we hugged right out of the gate. He smelled my hair and neck and swooned a little, but we cooled him down and then we sat.

We sat there for a while and learned so much about him. He’s ninety-two years old. He has five kids with five different women. His youngest is twenty-six and his oldest is twenty-five years younger than him. We didn’t do the math, but I said, “Your youngest son’s mother must have been much younger than you?”

He described her as being “As big as a house” but lovely, and she was at “that age” he said, so I asked what age, though I knew. “Thirty-nine,” Stan told me. I told him I’m inching up on thirty-nine and he said, “Beautiful single women make the world go around.”

Rich had walked away, and not knowing that we’re good friends and not a couple, Stan said, “I’m not a stinker. I don’t break up marriages. I don’t break up couples. But YOU….Oh, my Stan said, “You.” We hugged again. Lots of hugging.

Rich came back and we all kept talking about Stan’s travels, his twenty-five years in Taos, his shopping list of one item—dish soap, which he recommends for the tub—and then we looked at his sketchbook of drawings. He was in Japan during WWII, and he’s traveled a lot since then. He’s made a family for himself here with the Native Americans at the pueblo and with the Spanish in the area too.

He told us about big, white cat who showed up and who he decided to feed. He told us about his neighbors and their dog, and how the woman of the house is “More beautiful than Beyonce,” and how he brings her son two toy cars every day. (That may not be random, but it sure is kind.)

The sun dipped behind some trees and Stan started to get cold. Rich and I had more errands to run, so it was time to say goodbye, for now. I couldn’t help but think of my Poppy, his own service in the second World War, and the flag I received at his funeral that tipped my scales big time. He absolutely hated goodbyes and didn’t say the word, so we always said, “See you later,” So I told Stan we’d see him soon and we knew we’d walk him inside.

It was clearly time for more hugs. I stood in front of Stan to help him out of his chair, and he ignored my hands and put his two hands firmly on my hips. He liked what he felt and wasn’t shy about expressing it.

We hugged. And hugged. And hugged. Stan said a couple of things that aren’t fit to print, but there was a mention of what might have been happening in his sweatpants, which he told us he has five pairs of and wears every day. He smelled my neck some more. He nuzzled right in there. He told me he liked my earrings. He wanted a kiss and I delivered. He wanted a “real kiss” but I laughed it off. He got a little frisky. He reminded me he doesn’t want any more children and I told him I didn’t think he had anything to worry about. We laughed. Rich said he wished he’d caught the whole thing on video, but he did snap a couple of pictures of the Love Fest between me and Stan, who despite turning out to be something of a stinker, made my day.

That’s the thing about a random act of kindness. You make someone else’s day, but yours is made too. Thanks, Eric Adema, for encouraging me to take the time to sit and spend an hour with a darling old stinker of a man; you’ve certainly brought much kindness to my life, old friend. Cheers to you and forty!

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The Story Within the Story

“ I wanted a perfect ending. Now I’ve learned, the hard way, that some poems don’t rhyme, and some stories don’t have a clear beginning, middle and end.” –Gilda Radner

I’m always thinking about stories. Everything tells a story, and often the stories are woven and layered. There’s the front story and the back story. Some aspects of a story are conspicuous while others are veiled. There are stories within stories.

I love opening a book and finding a boarding pass. It will remind me of not only of when I bought the book and where I read it, but also who I was with, how I was feeling, and what reading those words meant to me at that time.

Maybe that book was my first introduction to an author I loved and later filled my bookshelves with. Maybe the book has a warped spine or puckered pages from being read in the bathtub or at the beach. Maybe I loved the book so much that I dogeared it and wrote all over it. I underlined phrases and drew stars, hearts, and smiley faces in the margins when I felt the words were speaking directly to me.

Maybe it’s not a book, but it’s a bag. Maybe I find a long-lost lip gloss, a few receipts, and a bottle of vitamin C and I remember the friend’s wedding where I was so sick by the time the dancing started that I had to go sleep in my car. That triggers other details about the wedding: who was there and who wasn’t, who said X or Y, who brought a bottle of whiskey to my car to see if we couldn’t scare my flu away.

Maybe it’s a jacket pocket. Maybe there’s some cash in there. It reminds you of a ski trip, a concert, a farmers’ market. A pair of socks can remind you of a marathon. A sweatshirt can remind you of a school you attended. A package of AA batteries from Costco can remind you that you overestimated your battery usage and you’ve moved those dang batteries half a dozen times. A sleeping bag….oh, sleeping bags tell a thousand stories.

I wrote a post last October called “Keepers”, which was sparked by my grandfather’s death and the last voicemail I saved from him. I was happy I saved that one, but it is easy to get a little obsessive about what we keep and what we let go of. The inevitability of mortality can sometimes grab hold of us a little too tightly, and we can tend toward smothering and hoarding. We think: what if it’s the last time we hear someone’s voice? The last time we embrace? The last time we take a walk together? Ugh. It can be a bit much.

As important as it is to know what to keep, it’s equally important to know what to let go of. A few weeks ago I wrote a post about going to a Naked Ladies party and second-guessing what to keep and what to get rid of. I got rid of several bags full of things I still like, but that I would not pack for a road trip.

I brought a pair of earrings that I fell in love with at first sight and was lucky enough to score at a 50% off sale at Betty’s Divine. Here they are in Mexico….

They’re flashy. They dangle below the collarbone. They jingle. They weren’t exactly “me,” but we’d had some fun together. I hesitated—I love them!—but the truth is they’d been gathering dust at my house. I hadn’t even considered them in six months. I’d moved on, but was loitering in the past. They were not on my short list, and they deserved to go home with someone who might take them on a road trip or at least out to dinner.

At the party I spread them out on a side table with other jewelry. I hoped someone would see them and recognize their awesomeness. I’d like to say I watched the table anxiously to see who scooped them up, but I was too busy digging for new treasures to notice.

Then I spotted them on Melissa. They had met their match. I hurdled ladies and piles of clothes to say: “Girl. You are rocking those earrings.” I felt oddly compelled to tell her a couple of things about them, as if she was adopting a dog and needed to know that he drinks a lot of water, doesn’t like thunder, and will claim any couch as his own.

She’s a smart cookie who can handle her earrings just fine. She loves herself a wild accessory and I knew she’d incorporate them into her wardrobe without a hitch. I figured she might even take them on a trip knowing she’d get a lot of mileage out of one awesome accessory that can dress up a plain white tee.

I thought about telling her that they snag on scarves, can be hazardous when hugging, and have so many hinges and moveable parts that sometimes a piece (or two or three) drops off, but instead I told her about how that last detail turned into one of my favorite things about them. “I lost one of the crystals on the beach in Mexico, which was a bummer, but when I got home I replaced it with this little piece of bone….” She fingered the bone gently as she listened to then story, then said “I love it! That makes them even more fabulous! I love it!”

An hour later I was sitting across the room when someone complimented Melissa on the earrings. I saw her hands go up to the bone as I watched her tell my story, which was now part of hers. Maybe she’ll take them on a road trip. Maybe she’ll lose another crystal and will replace it with a bead or a shell, further layering the story.

Look around. I dare you to find something that doesn’t have a story. There’s your slice of the story, but there are also the elements of the story that began before you and the pieces that you may never know.

Live your stories, share your stories, love the stories within your stories.

We Tell Ourselves Stories

“We tell ourselves stories in order to live.” It’s a great line, and the first line of the first essay in Joan Didion’s THE WHITE ALBUM, published in 1979. In 2006 she used that brilliant line as the title of another book of essays, which is a collection gleaned from her first seven nonfiction books.

No topic is off limits for Didion. She writes about politics and gangs, the Hoover Dam and Georgia O’Keefe, counterculture and permaculture. She wrote bravely about the death of her husband, which was followed by the death of her daughter. She wrote about that too. Didion confronts dichotomy and contradiction head on, and creates heartbreaking portraits of both people and place.

She’s unapologetic and unsentimental. Her observations are astute, her prose is spare, and she untangles life in a way that makes the reader feel she’s looking her in the eye, saying, “I get it.”

There’s this theory in storytelling that the more intimate and personal the detail, the more universal the story becomes. It’s curious, really, and it seems the opposite would be true, but when a storyteller trusts the reader, the reader trusts herself.

I like to craft stories on paper. I’ve been writing a lot this summer, and I love the process of telling a story then cutting it up. I love choosing what to reveal and what to keep hidden, where to be overt and where to be a little bit coy. The end becomes the beginning, there’s a narrative thread for the reader to hang on to, and there are a few twists and turns in the middle. It’s on paper, a permanent record of sorts.

Back in May I did something different. I got up on a stage in front of a few friends and a lot of strangers and I told a story. No notes, not even an index card. I thought about writing on my hand or arm, but figured that would be weird. I practiced a little beforehand, but every time I did I blew it. I went over the allotted ten minutes, I forgot a detail, I told too many details.

When the time came to tell the story I thought about blowing it off, faking sick, or just saying, “I can’t.” I took ballet and tap dance lessons as a kid, and all year I’d practice for the recital and order the costume then I’d back out in the final hour. I’d tell my mother, “I can’t get on that stage,” and she’d say, “You don’t have to.”

At thirty-eight years old it was time to stop making excuses. You might be thinking, “What’s the big deal?” Ten minutes on a stage isn’t a lot. Telling a story about how I met my dog is easy; it’s a story I’ve told many times. But fear is a power deterrent. I started my “story” by talking about how what we’re most afraid of is rejection. I needed to hear my voice tell someone else’s story before I could tell my own. Wrap your head around that one. {My friend Heather wrote a great blog post on fear yesterday. It’s good stuff. Check it out here.}

For some public speaking is no big deal, but we all have our things. I know people who dig in their heels like a dog headed to the bathtub if they’re pulled onto a dance floor. I know people who are afraid of success, intimacy, and abandonment. You know them too. I know people who are afraid to do things with their bodies while others are afraid of doing things with their minds. Some are afraid of both, rendering themselves paralyzed. People are afraid to speak up, stand out, fall apart.

And then once in a while you have to say, “What’s the worst that could happen?” and you just go for it. I washed and brushed my hair. I had a cocktail and ate a banana. I sat with my friends. I listened to others tell stories and I didn’t run out the back door. Then I got on the stage, said a few things I didn’t mean to and forgot a few things I meant to. And I survived. People laughed, but not at me.

Winston Churchill said, “If you’re going through hell, keep going.” I’m okay with two steps forward one step back, but no steps forward? I’m all full up on that.

I was nervous about what I’d do with my hands while I told a story/freaked out on stage, and I had a dog biscuit in my pocket from Bernice’s bakery which I fingered like a worry stone while I spoke.

When I was done one of my friends let Lucky off his leash (we’d smuggled him in after intermission) and he found his way to the stage, but was terrified to go up the steps. Marc Moss, the mastermind behind the event (TELL US SOMETHING)  encouraged Luck up the steps, but it turns out the stage fright apple didn’t fall far from the tree. We can both ham it up just fine among friends, but on a stage…hell no!

Then I remembered the treat. I pulled it out of my pocket and Luck found the courage to make his stage debut. Here we are. When I first saw this picture I wondered what I was doing with my arm, then I saw my sweet boy reaching up for his prize.

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And finally, last but not least, here’s a link to the podcast for my story called “Picked By Luck.” 

You can explore several dozen Tell Us Something podcasts HERE and you can support future storytellers by showing up at the Top Hat on October 9th. The topic is “Forgiveness.” Um, what’s not to like? Ok then, see you there.

“Expose yourself to your deepest fear; after that, fear has no power, and the fear of freedom shrinks and vanishes. You are free.” Jim Morrison